Col sorriso d'innocenza (from Il Pirata) (11).Ciel pietoso, in si crudo momento (from La Straniera) (5).Chi per quest'ombre dell'umana vita (2).Come per me sereno (from La Sonnambula) (13) Bassoon Concerto in G major (fragment) (1).All'udir del padre afflitto… Odo il tuo pianto (from Bianca e Fernando) (3).Ah! Se un'urna (from Beatrice di Tenda) (1).Ah! Per sempre io ti perdei (from I Puritani) (3).Ah! La pena in lor piombò (from Beatrice di Tenda) (2).Ah! la morte a cui m'appresso (from Beatrice di Tenda) (3).Ah! crudel! che mai facesti? (from I Capuleti e i Montecchi) (2).Ah! bello a me ritorna (from Norma) (1).Ah, non credea mirarti (from La Sonnambula) (15).Ah Dolor! Ah Terror! (from I Puritani) (7).Aggiorna appena (from I Capuleti e i Montecchi) (2).A tanto duol, quest´anima (from Bianca e Fernando) (3).Verdi raved about his "long, long, long melodies such as no one before had written." Wagner, who rarely liked anyone but himself, was spellbound by Bellini's almost uncanny ability to match music with text and psychology. also hugely influential, as much admired by other composers as he was by the public. Other sources of information come from correspondence saved by other friends and business acquaintances.īellini was the quintessential composer of the Italian bel canto era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before'."Ī large amount of what is known about Bellini's life and his activities comes from surviving letters-except for a short period-which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Vincenzo Salvatore Carmelo Francesco Bellini was an Italian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". A commission came from Genoa in early 1828, too late for Bellini to write anything new. The revival of Bianca e Gernando, with the title reverting to the original one proposed for the opera, came about after the success of in Milan in October 1827. Its success resulted in the offer to the young composer from, the at the San Carlo and also part of the management of opera house in Milan, of a commission to write a new opera for La Scala. The 1826 work-Bellini's first professionally staged opera-had its first performance at the in Naples on. Narcos Sezonul 2 Episodul 10 Subtitrat on this page. In 1826, use of the name Fernando in the title was forbidden because Ferdinando was the name of the, and no form of it could be used on a royal stage. The original version of this opera was presented as Bianca e Gernando and was set to a by, based on Bianca e Fernando alla tomba di Carlo IV, duca di Agrigento ( Bianca and Ferdinand at the Tomb of Charles IV, Duke of Agrigento), a play by Carlo Roti which is set in Sicily. 1 (, 1828) Librettist, providing revisions from the original by Language Italian Based on Carlo Roti's play Bianca e Fernando alla tomba di Carlo IV, duca di Agrigento Premiere 7 April 1828 ( ), Genoa Bianca e Fernando ( Bianca and Fernando) is an in two acts.
Download Vincenzo Bellini Bianca e Fernando free sheet music.
A Tanto Duol - Download as PDF File (.pdf) or read online.